How did Lindo get tin to marry her?

How did Lindo get tin to marry her?

How did Lindo get tin to marry her?

Lindo went to work at a fortune cookie factory, where she met An-mei. An-mei brought Lindo to church with her and set her up with a man named Tin Jong. Although they spoke separate dialects, Lindo and Tin eventually married.

Why does Lindo choose to get herself out of the marriage despite her promise to her parents?

Lindo is willing to endure a carping, loveless marriage in order to ensure her parents’ honor and prevent them from losing face. Only when she can escape with honor does she leave the doomed relationship with her husband.

How did Lindo Jong get out of her arranged marriage?

Finally, Lindo found a way out of the marriage. She told Taitai that her ancestors came to her in a dream and said that the matchmaker’s servant had allowed Tyan-yu’s end of the candle to go out, which meant Tyan-yu would die if he stayed in the marriage.

Why does the husband aim his bow at the Moon Lady?

Why does the husband aim his bow at the Moon Lady? He is angry that she took his chance at everlasting life.

Who is Auntie Lin Joy Luck?

June’s mother’s best friend. aka: Auntie Lin. Jing Mei’s mother. A joy luck auntie who lost her twin babies.

What does the wind symbolize in The Joy Luck Club?

The wind symbolizes a force or strength to use against someone from an opposing direction.

What does the scar symbolize in Joy Luck Club?

An-mei herself bears a scar, a reminder of the day that her mother came to Popo’s house and cried out, begging An-mei to come with her. Popo had damned her own daughter — and at that moment, a pot of dark boiling soup spilled on tiny An-mei.

What does the Moon Lady symbolize?

The drama in which the Moon Lady is a major character concerns the loss and reclamation of cultural and individual identities. Four-year-old Ying-ying, who has fallen overboard, is desperate to be “found” — to once again be reunited with her family — and with herself.

What does Jing Mei learn about herself?

In paragraph 15 of “Two Kinds,” Jing-mei discovers her rejection of a parent-pleasing self and her acceptance of a strong and autonomous identity. She admits to hating and resenting the tests that her mother administers in order to make her daughter into a prodigy.