Who is Astor Piazzolla?
Who is Astor Piazzolla?
Who is Astor Piazzolla?
Astor Piazzolla was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Is Astor Piazzolla still alive?
Deceased (1921–1992)
Astor Piazzolla/Living or Deceased
Is Piazzolla a tango?
His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles….
| Astor Piazzolla | |
|---|---|
| Instruments | bandoneon |
| Years active | 1933–1990 |
Where is Astor Piazzolla from?
Mar del Plata, Argentina
Astor Piazzolla/Place of birth
Astor Piazzolla, in full Astor Pantaleón Piazzolla, (born March 11, 1921, Mar del Plata, Argentina—died July 4, 1992, Buenos Aires), Argentine musician, a virtuoso on the bandoneón (a square-built button accordion), who left traditional Latin American tango bands in 1955 to create a new tango that blended elements of …
Why is Piazzolla important?
The complexity and ambition of Piazzolla’s oeuvre brought him enormous international acclaim, particularly in Europe and Latin America, but it also earned him the lasting enmity of many tango purists, who attacked him mercilessly for his supposed abandonment of tradition (and even helped drive him out of the country …
What does bandoneon mean?
noun. a small, square concertina or accordion with buttons instead of a keyboard, used especially in Latin America for tango music.
Where is Astor Piazzolla buried?
Jardín de Paz, Pablo Nogués, Argentina
Astor Piazzolla/Place of burial
Who taught Astor Piazzolla?
Bela Rida
When Piazzolla was eight years old, his father bought him his first bandoneon. In 1933, he started taking music lessons from Bela Rida, who taught Piazzolla the basics in music theory and composition.
Which instrument is unique to the tango sound?
the bandoneon
Among these instruments, the bandoneon is perhaps the most key instrument in producing the authentic, emotional and nostalgic sound of tango. This unique accordion-like instrument with buttons and bellows was originally developed in Germany during the 1850s for use in small churches that could not afford organs.
Who became a tango superstar in the 1920s and 1930s?
Carlos Gardel
It originated in Argentina in the 1800’s and spread to other parts of the world in the early 1900s. Carlos Gardel became a tango superstar in the 1920s and 1930s.
How much does a bandoneon cost?
A new instrument from Germany, Belgium or Italy costs 7,000 euros (over $10,000). While a used bandoneon can fetch 2,800 euros (over $4,000), with another 400 euros ($570) needed to restore and tune it.
How does bandoneon work?
It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between both hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument’s buttons.
Where did the song Escualo by Astor Piazzolla come from?
Escualo by Astor Piazzolla (Spanish for ‘shark’) is a tango originally written for solo violin. The piece was inspired by Piazzolla’s fishing trips on holidays in Punta del Este, Uruguay. He was known to get very excited when catching an escualo the colloquial term for a local species of shark.
Why was Astor Piazzolla a controversial figure?
Piazzolla’s new approach to the tango, nuevo tango, made him a controversial figure in his native land both musically and politically.
When did Astor Piazzolla form his Orquesta Tipica?
In 1946 Piazzolla formed his Orquesta Típica, which, although having a similar formation to other tango orchestras of the day, gave him his first opportunity to experiment with his own approach to the orchestration and musical content of tango.
What kind of harp does Astor Piazolla play?
We hear harp by the second bar of music in a guise, perhaps as menacing as the one created by John Williams, as Piazzolla’s Escualo —shark—swims into our speakers with nary a warning. Lin and Jofre wail away in tandem, with Pilot looking on from shore. Repetition, intensity, and a slow burn are hallmarks of Piazzolla.